![]() 1kHz Audio input/output: 3.5mm Operation range: 50 Meters(164 ft) Power requirements: Transmitter and receiver are each powered by two AAA batteries Battery life: 3.5 to 4 hours of runtime Transmitter Dimensions: 2.36 x 3.3 x 1.1" 4.37 oz Receiver Dimensions: 2.36 x 3.3 x 1.61" 4.89 oz Shipping& Returns Enjoy fast and reliable shipping when you buy your products from Movo Photo. Specifications RF Modulation: GFSK Frequency Band: 2.4GHz(2405-2478MHz) Frequency Response: 35Hz-14KHz☓dB Signal-to-Noise Ratio: 76dB or more RF output level: 5 mW Reception sensitivity: 85dB +/ 3dB/ 0dB=1V/Pa. The system includes a transmitter with belt clip, receiver with camera or tripod mount, lavalier microphone with windscreen& 2 earphones. more and other audio or video applications. Such as film work, podcasting, performances. Though an earset hooks around one ear and a headset is worn around both ears, these headworn mics share the commonality of having a tiny microphone capsule on a boom, which positions the microphone element near the subjects mouth.New The Movo WMIC50 2.4GHz Wireless Lavalier Microphone System is designed for portable wireless operation. Watch a Ted Talks presenter or a guest speaker at a conference, and you'll observe an earset or headset wireless microphone being used to capture that person's voice. So, a "wireless lavalier microphone" is really just a lapel microphone intended for connection to a wireless transmitter. For example, a lapel mic or lav mic is a miniature microphone that clips onto the subject's clothing. In fact, many aren't wireless microphones, but instead utilize cables to connect to wireless transmitters. In addition to wireless handheld microphones, there are several other types of microphones for wireless systems. Single-channel receivers work with one transmitter at a time, two-channel receivers can simultaneously receive signal from two transmitters, quad-channel receivers allow use of four transmitters per receiver, & so forth. Videographers who use DSLR cameras or camcorders generally use camera-mount or plug-in receivers, smartphone-based vloggers and content creators favor portable types, and live event engineers usually go with tabletop or rackmount receivers. Common receiver styles include portable camera-mount, tabletop, rackmount, and plug-in models. Consider a plug-on transmitter ideal for a news gathering setup or a wireless guitar system.Īvailable in a variety of form factors, wireless receivers receive the wireless signal from a transmitter and feed it to outputs for connection to your recording device. Plug-on transmitters are designed to connect directly to an XLR microphone or a 1/4"-equipped instrument.A handheld transmitter combines a wireless transmitter with a microphone capsule to create a cordless microphone. ![]() Bodypack/beltpack transmitters aren't microphones they normally feature mic input jacks (the connector types are numerous) to allow the connection of a microphone, line-level signal, or musical instrument with the proper cable. Bodypack/beltpack transmitters are traditionally designed to be compact, lightweight, easy to hide, and easy to attach to the subjects via supplied belt clips.Complete wireless systems will often include one or more transmitters, a receiver, a microphone (or two), and accessories such as cables and mounting hardware.Įxpect to find wireless transmitters in multiple form factors the three most common are handheld, bodypack/beltpack, and plug-on. So, the basic signal flow is sound source to transmitter, transmitter to receiver, then receiver to recorder. Wireless transmitters will typically be placed where the subjects or sound sources are, while wireless receivers will usually be near the recording device, such as a camera or mixing console. Whether you buy a complete wireless system that's ready to use out of the box, or you purchase pieces to upgrade or expand an existing system, it's important to be familiar with the components you're likely to encounter.Įvery wireless system requires a device to transmit wireless signal (a transmitter) and a device to receive wireless signal (a receiver). For news gathering, sports broadcasts, concerts, theater, music, and sermons in houses of worship, conferences, weddings, TV/video/film production, and more, wireless audio systems are a vital part of capturing voices, instruments, sound effects, and ambience. Wireless microphone systems are sets of components that allow performers, musicians, speakers, content creators, interviewers/interviewees, and actors/actresses to move freely around indoor and outdoor spaces without the hassle of long cables for audio signals.
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